THE HYMN OF JESUS
Echoes from the Gnosis
Translated with comments
G. R. S. MEAD
The Theosophical Publishing Society, London and Benares
THE HYMN OF JESUS.
Just as many other settings of the Sayings and Doings of the Lord
existed prior to and alongside of the canonical Gospels, so were there,
prior to and alongside of the subsequently selected or canonical Acts,
many other narratives professing to record the doings and sayings of the
Apostles and Disciples of the Lord.
Most of these originated in circles which were subsequently called
heretical, and many of them were later on worked over by orthodox editors
to suit doctrinal preconceptions, and so preserved for the edification of
large numbers in the Catholic or General Church.
As Lipsius says: "Almost every fresh
editor of such narratives, using that freedom which all antiquity was
wont to allow itself in dealing with literary monuments, would recast the
materials which lay before him, excluding whatever might not suit his
theological point of view--dogmatic statements, for example, speeches,
prayers, etc., for which he would substitute other formulś of his own
composition, and further expanding and abridging after his own pleasure,
or as the immediate object which he had in view might dictate."
Some of these edited and re-edited documents, though for the most part
they have come down to us in a very fragmentary condition, still preserve
distinct traces of their Gnostic origin; and Lipsius has shown that their
Gnosticism is not to be ascribed to third century Manichśism, as had been
previously assumed by many, but to the general Gnosis of the second
There was a very wide circulation of such religious romances in the
century, for they formed the main means of Gnostic public propaganda.
The technical inner teachings of Gnosticism were assailed by the
subsequently orthodox Church Fathers with misrepresentation and
overwhelmed with ridicule.
To these onslaughts the Gnostics, as far as we are aware, made no
reply; most probably because they were bound by oaths of secrecy on the
one hand, and on the other knew well that the mysteries of the inner life
could not be decided by vulgar debate.
The mystic teachings of their Gospel were for those who knew the nature
of the inner life by direct experience; for the rest they were
Their Acts-romances also appear often to be based on actual occurrences
of the inner life and on direct spiritual experience, subsequently worked
up into popular forms; the marvellous complexity and baffling sublimity of
apocalyptic ecstasy, and the overabundant and pregnant technology which
member of the inner circles of the Gnostic Christians, were excluded,
and all was reduced to simpler terms.
These marvellous narratives may seem vastly fantastic to the modern
mind, but to every shade of Christianity in those days, they were entirely
credible. The orthodox did not repudiate the marvellous nature of the
narratives; what they opposed with such bitterness was the doctrinal
implications with which they were involved.
These Acts-romances thus formed the intermediate link between the
General Church and the inner teachings of Gnosticism, and they were so
popular that they could not be disposed of by ridicule simply. Another
method had to be used.
To quote from Lipsius again: "Catholic bishops and teachers knew not
how better to stem this flood of Gnostic writings and their influence
among the faithful, than by boldly adopting the most popular narratives
from the heretical books, and,
after carefully eliminating the poison of false doctrine, replacing
them in this purified form in the hands of the public."
Fortunately for some of us, this "purification" has not been complete,
and some of the "poison of false doctrine" has thus been preserved. Among
other things of great beauty for which we are grateful, we especially
thank a kindly providence for the preservation of the Hymn of Jesus.
The earliest collection of these Gnostic Acts is said to have been made
by a certain Leucius, surnamed Charinus. There is a tradition, though of
somewhat doubtful authenticity, that this Leucius was a disciple of John.
If we accept it at all, this John must be taken for the writer of the
Fourth Gospel, and not the John of the original Twelve.
It would be impossible here to enter into any discussion of the
baffling Johannine problem; those of our readers, however, who are
interested in the manifest Gnostic implications with which this
problem is involved as far as it relates to the Fourth Gospel, should
read Kreyenbuhl's exhaustive and instructive study Das Evangelium der
Wahrheit (Berlin; 1900, 1905). His "new solution of the Johannine
question," which Kreyenbuhl entitles "The Gospel of the Truth," boldly
claims an immediate Gnostic origin for the Fourth Gospel; and this
courageous pioneer of a new way even goes so far as to contend that the
writer of what is indubitably the most spiritual of all the Gospels, was
no other than Mśnander, the teacher of Basilides. It is instructive to
remark that this voluminous and important work has been passed over with
complete silence in this country.
At any rate the Leucian Acts were early; in the opinion of Zahn this
collection was made at a time when the Gnostics were not yet considered
heretical, that is to say prior to 150 A.D.--say 130 A.D.
Lipsius on the other hand places them in the second half of the second
century, towards the end, and so does Hennecke.
This maximum of date they are compelled to concede, because Clement of
Alexandria at the end of the second century quotes from the Gnostic
Acts of John which indubitably formed part of the Leucian collection.
The controversy between Lipsius and Zahn was conditioned by the fact
that they both agreed that the Acts of John quote from the Fourth
Gospel. Zahn placed this Gospel earlier in date than Lipsius and was
anxious to find in the Acts an early witness to that Gospel, indeed the
It has, however, been strongly contested by Corssen whether the Acts
quote from the Gospel; and as far as I can myself see from the passages
adduced, there does not seem to be absolute evidence of any direct
quotation. There is indubitably a close similarity of diction, as is so
often the case in similar problems concerning nearly contemporary
documents; but the problem is more easily satisfied by considering the
writers as belonging to the
same circle, than by seeking to prove direct literary plagiarism.
However this may be, we are not to suppose that Leucius invented
the Acts; he collected and adapted and wrote up the material. If he had
invented all of it, he would have been a genius of no mean order.
Leucius has a style of his own, and he also moved in a certain sweet
atmosphere that is characteristic of the best in the Johannine
tradition--the tradition of love, and intimacy, and simplicity; very
different, for instance, from the more formal Pauline atmosphere.
The Acts of John are indubitably Leucian, and judging by
literary style so are the Acts of Peter. As to the rest of the
Acts of the original Leucian collection, there is at present no
certainty, and those assigned to Leucius by later writers must be put on
one side as far as their present remains are concerned.
It has been surmised by James that as Luke (Loukas) wrote the Orthodox
the writer who wrote the Gnostic Acts called himself Leucius (Leukios)
to suggest he was one and the same person; but this I consider highly
improbable. The Gnostics are in general inventors and not copyists.
It is also of interest to note that Zahn considers that the account of
the genesis of the Fourth Gospel given by the writer of the Muratorian
Fragment (c. 170 A.D.) was taken from the Leucian Acts. This Gospel
is there said to have been written by a certain John, who was "of the
Disciples." His "fellow-disciples and bishops" had apparently urged him to
write a Gospel, but John hesitated to accept the responsibility, and
proposed that they should all fast together for three days, and tell one
another if anything was revealed to them. On the same night it is revealed
to Andrew, who is "of the Apostles," that while all revised John should
write down all things in his own name.
If this information is taken from the
Leucian Acts, it follows of course that their writer was acquainted
with the Fourth Gospel. If we take this as certain--though from the
adduced parallel phrases alone I cannot myself be quite certain--then the
question arises how could Leucius have put into the mouth of John
doctrines which are opposed to the teaching of the Gospel? To this
question James gives the following answer:
"His notion is that St. John wrote for the multitude certain
comparatively plain and easy episodes in the life of the Lord: but that to
the inner circle of the faithful his teaching was widely different. In the
Gospel and Epistles we have his exoteric teaching: in the Acts his
This of course exactly reverses the relation that Corssen supposes to
have existed between the Acts and Gospel; namely that the author of the
Acts did not know the Gospel at all.
It is of course the general Gnostic position that all true scripture
had an under-meaning. The gospel-narratives
were written for the people, but at the same time in such a fashion as
to set forth allegorically the mysteries.
If, then, any propaganda of these hidden mysteries was to be attempted
in a less veiled form, it follows that a more spiritual standpoint had to
be insisted on; and the popular narrative which was generally taken in a
physical and material sense, was replaced by a more plastic and suggestive
setting and exposition.
But--we may ask, at any rate in the case of the Fourth Gospel--was it
the Gospel-narrative that was prior in date, and the Gnostic rewriting of
Gospel-incidents subsequent; or was it that the Gnostic ideas existed
prior to the writing of the Gospel, and the matter incorporated into the
Gnostic Acts derived directly from the same body of ideas that inspired
As it now proved beyond all question that the Gnosis was pre-Christian,
and that in what is generally called Gnosticism we are dealing with a
Gnosis which demonstrably existed in the time of Paul, and which Paul
found already existing in the Churches, we must conclude that there is
nothing inherently improbable in the latter alternative.
Moreover, the Gnosticism of the Acts of John is general and
simple and cannot be assigned to this or that particular school of the
The marvellous and beautiful Hymn, which is the subject of this small
volume, is found in what are without doubt the Leucian Acts of John.
That, however, Leucius himself composed the Hymn is by no means to be
taken for granted. Leucius was a collector and redactor--he used sources;
and I have myself no doubt that the Hymn existed in Gnostic circles prior
to the composition of the Acts--indeed, that it was a most precious
The first external testimony to our Hymn is found in its use by the
Priscillianists, in Spain, in the last third of
the fourth century. The great movement known under the name of
Priscillianism was a powerful revival of Gnosticism and Oriental mysticism
and theosophy which poured over the Peninsula.
The views of the Priscillianists on scripture were those of the rest of
the Gnostics in general; their canon was catholic in the widest meaning of
the term. Just as the Jewish scriptures were an imperfect revelation as
compared with the general Christian books, so were the popular scriptures
of Christianity imperfect in comparison with the revelations of the
As the Old Covenant books were considered to be replete with types and
figures, images and shadows of the Gospel-teaching, so were the books of
the New Testament, in their turn, held to be figurative and symbolical of
the inner teachings of the Gnosis. The former were intended for those of
Faith, the latter for those in Gnosis.
Against this view Augustine and Jerome
waged remorseless war; for the country was flooded with an immense
number of Gnostic documents. The Priscillianists were persecuted and
martyred and the main care of the orthodox bishops was to seize their
books and destroy them.
Ceretius, one of the bishops presumably, had sent Augustine some of the
books of these Gnostics; he himself seems to have been inclined to approve
them. Augustine, in his answer, picks out for detailed criticism one
document only--our Hymn. Concerning this he writes:
"As for the Hymn which they say is that of our Lord Jesus Christ, and
which has so greatly aroused your veneration, it is usually found in
apocryphal writings, not peculiar to the Priscillianists but used by other
Augustine adds a quotation from the introduction of the Gnostic M.S. of
the Hymn, which runs:
"The Hymn of the Lord which He sang in secret to the holy Apostles, His
disciples, for it is said in the Gospel: 'And after singing a hymn He
ascended the mount.' This Hymn is not put in the canon, because of those
who think according to themselves, and not according to the Spirit and
Truth of God, and that it is written: 'It is good to hide the sacrament of
the King; but it is honourable to reveal the works of God.'"
The Gospel referred to cannot be either Matthew (xxvi.31) or Mark
(xiv.26), both of which read: "And after singing a hymn they went out
to the Mount of Olives." The second quotation I am unable to trace.
An important point which will concern us later on is that Ceretius
found the Hymn by itself and not in its context in the Acts; it was
in all probability extracted for liturgical purposes.
It is, moreover, evident from what Augustine writes in the first
have quoted that the Hymn was well-known in Gnostic circles.
It would also seem as though Augustine, who wrote in Latin, was dealing
with a Latin translation, rather than that he translated the quotation
himself in his answer to Ceretius.
Part only of the Greek text of this famous Hymn was known prior to
1899, when James published a hitherto unknown and very important fragment
of the Acts of John, found in a fourteenth century M.S., in the
Vienna Imperial Library. This contained what seems to be the full text of
our Hymn, though, unfortunately, copied by a sometimes very careless
scribe. Nearly the whole of this lengthy fragment consists of a monologue
put into the mouth of John, and in it we have preserved to us a very
remarkable tradition of the Gnostic side of the life of the Master; or, if
it be preferred, of incidents in the "occult" life of Jesus.
The whole setting of the christology is what is called "docetic." Our
is thus a most valuable addition to our knowledge of Docetism, and at
last gives us a satisfactory reason why this view was held so widely by
the Gnostics. Indeed it is now the most important source we possess, and
puts the whole question on a different footing. In future our fragment
must always be taken first as the locus classicus in any discussion
of the question.
Docetism was a theory which found its confirmation in narratives and
legends of certain psychic or spiritual powers ascribed to the "perfect
The christological and soteriological theories of the Gnostic
philosophers were not, as many would have us believe, invented altogether
ŗ priori; they rested, I hold, on the basis of a veritable
historical fact, which has for the most part been obscured out of all
recognition by the flood of physical objective historicizing narratives of
After His death, I believe, as many a Gnostic tradition claims, the
return and teach His disciples and true lovers in the inner circles,
and this fact which was made known to their consciousness in many
marvellous ways, was to a large extent the origin of the protean Gnostic
tradition of an an inner instruction.
He returned in the only way He could return in this way of
return--namely, in a subtle or "spiritual" mode or "body." This "body"
could be made visible at will, could even be made sensible to touch, but
was, compared with the normally objective physical body, an "illusory"
body--hence the term "docetic."
But just as the external tradition of those who are considered the
original Jewish Christians, the EbionÓm (or Poor), was gradually
transmuted and sublimated, so that it, finally, exalted Jesus from the
status of a simple prophet in which it originally regarded him, unto the
full Power and Glory of Godhead itself; so the internal tradition extended
the doubtlessly simple original docetic notion to every department of the
soteriological structure raised by Gnostic genius.
The Leucian Acts of John pertain to the latter stream of
tendencies, and "John" is the personification, so to say, of one of the
lines of tradition of that protean Docetism, which had its origin in one
of the best-known and most important facts of the spiritual life, or of
"occult" experience, and of those marvellous teachings of initiation which
became subsequently historicized or woven into historic settings, and
which "John" in our fragment, sums up in the words:
"I held firmly this one thing in myself, that the Lord contrived all
things symbolically and by a dispensation towards men, for their
conversion and salvation."
That is to say, that all truly inspired narratives of the Doings and
Sayings of the Christ are typical; or again, that He who is Christ, in all
He does and says, as Christ, acts with the Cosmic Order. This
is His "economy" and "ministry"--the doing of His "Father's business."
We will now turn to the Hymn itself, and first give a version of it
from Bonnet's text. In the newly-recovered fragment it is introduced as
"Now before He was taken by the lawless Jews--by them who are under
the law of the lawless Serpent--He gathered us together and said:
"'Before I am delivered over unto them we will hymn the Father, and
so go forth to what lieth before [us].'
"Then bidding us make as it were a ring, by holding each others'
hands, with Him in the midst, He said:
"'Answer "Amen" to Me.'
"Then He began to hymn a hymn and say:
[Linked text below reference Mead's Comments,
which begin on page 31]
Glory to Thee, Father!
(And we going round in a ring answered to Him:)
Glory to Thee, Word (Logos)!
Glory to Thee, Grace (Charis)!
Glory to Thee, Spirit!
Glory to Thee, Holy One!
Glory to Thy Glory!
We praise Thee, O Father;
We give Thanks to Thee, O light;
In Whom Darkness dwells not!
(For what we give thanks to the Logos).
[Or, if we adopt the "emended" text: For what we give thanks, I say:]
I would be saved; and I would save.
I would be loosed; and I would loose.
I would be wounded; and I would wound.
[Or, I would be pierced; and I would pierce.
Another reading has:
I would be dissolved (or consumed for love); and I would dissolve.]
I would be begotten; and I would beget.
I would eat; and I would be eaten.
I would hear; and I would be heard.
[I would understand; and] I would be
understood; being all Understanding (Nous).
[The first cause I have supplied; the last is probably a gloss.]
I would be washed; and I would wash.
(Grace leadeth the dance.)
I would pipe; dance ye all.
I would play a dirge; lament ye all.
The one Eight (Ogdoad) sounds (or plays) with us.
The Twelfth number above leadeth the dance.
All whose nature is to dance [doth dance].
Who danceth not, knows not what is being done.
I would flee; and I would stay.
I would be adorned; and I would adorn.
[The clauses are reversed in the text.]
I would be at-oned; and I would at-one.
I have no dwelling; and I have dwellings.
I have no place; and I have places.
I have no temple; and I have temples.
I am a lamp to thee who seest Me.
I am a mirror to thee who understandest Me.
I am a door to thee who knockest at Me.
I am a way to thee a wayfarer.
Now answer to My dancing!
See thyself in Me who speak;
And seeing what I do,
Keep silence on My Mysteries.
Understand by dancing, what I do;
For thine is the Passion of Man
That I am to suffer.
Thou couldst not at all be conscious
Of what thou dost suffer,
Were I not sent as thy Word by the Father.
[The last clause may be emended: I am thy Word; I was sent by the
Seeing what I suffer,
Thou sawest Me as suffering;
And seeing, thou didst not stand,
But wast moved wholly,
Moved to be wise.
Thou hast Me for a couch; rest thou upon Me.
Who I am thou shalt know when I depart.
What now I am seen to be, that I am not.
[But what I am] thou shalt see when thou comest.
If thou hadst known how to suffer,
Thou wouldst have power not to suffer.
Know [then] how to suffer, and thou hast power not to suffer.
That which thou knowest not, I Myself will teach
I am thy God, not the Betrayer's
I would be kept in time with holy souls.
In Me know thou the Word of Wisdom.
Say thou to Me again:
Glory to Thee, Father!
Glory to Thee, Word!
Glory to TheSe, Holy Spirit!
But as for Me, if thou wouldst know what I was:
In a word I am the Word who did play [or dance] all things, and was
not shamed at all.
'Twas I who leaped [and danced].
But do thou understand all, and, understanding, say:
Glory to Thee, Father!
(And having danced these things with us, Beloved, the Lord went forth.
And we, as though beside ourselves, or wakened out of [deep sleep, fled
each our several ways.
To me it seems almost certain, as I argued in the first edition of
Fragments of a Faith Forgotten, in 1900, that this Hymn is no hymn,
but a mystery-ritual and perhaps the earliest Christian ritual of which we
have any trace.
We have a number of such mystery-rituals in the Coptic Gnostic
works--the extract from the "Books of the Saviour" appended to the
so-called Pistis Sophia document of the Askew Codex, and in the
"Two Books of Ieou" of the Bruce Codex.
In a number of passages the Disciples are bidden to "surround" (that
is, join hands round) the Master at certain praise-givings and invocations
of the Father, who is addressed as: "Father of all Fatherhood, Boundless
the Father is hymned as Light in the last three lines of our opening
The "Second Book of Ieou" ends with a long praise-giving, in the inner
spaces; for these highly mystical treatises dead with the instruction of
the Disciples by the Master out of the body. This praise-giving begins as
follows (Carl Schmidt, Gnost. Schrift. . . . aus d. Codex Brucianus--Leipzig,
1892--pp. 187 ff.):
"And He spake unto them, the Twelve:
Surround Me all of you!
And they all surrounded Him. He said unto them:
Answer to Me [Amen], and sing praise with Me; and I will praise My
Father for the Emanation of all Treasures.
And He began to sing a hymn, praising His Father, and saying:
I praise Tee . . . ; for Thou hast drawn Thyself unto Thyself altogether
in Truth, till Thou has set free the space of this Little Idea [?the
Cosmos]; yet hast Thou not withdrawn Thyself. For what
now is Thy Will, O Unapproachable God?
Thereon He made His Disciples answer three times: Amen, Amen, Amen!"
As far as I can discover from the most recent works of reference,
"Amen" is considered by scholars to be a pure Hebrew word. It is said to
have been originally an adjective signifying "stability," "firmness,"
"certainty," which subsequently became an interjection, used first of all
in conversation, and then restricted to the most solemn form of
asseveration; as, for instance, in oaths, and, in the temple ritual, in
the responses of the congregation to the doxologies and solemn utterances
of the priests and readers.
According to the Portuguese reading of the vowels it is pronounced ¬mÍn
(the vowels as in Italian). The Greek transliteration is AmÍn.
In Revelation (iii. 14), Christ is called the Amen: "These
things saith the
Amen, the faithful and true Witness."
We are told that in the great synagogue at Alexandria, at the
conclusion of the reader's doxology, the attendant signalled with a flag
for the congregation to respond Amen.
This use of this sacred utterance was taken over by the Christian
churches; so that we find Jerome writing: "Like unto celestial thunder the
It is well know that Hebrew and Aramaic are exceedingly rich in
loan-words from other languages. I have, however, never seen it yet
suggested that Amen may be a loan-word. I would now, with all submission
to Hebraist specialists, make this suggestion, for Plutarch in his
treatise On Isis and Osiris writes (ix. 4):
"Moreover, while the majority think that the proper name of Zeus with
the Egyptians is Amoun (which we by a slight change call AmmŰn),
ManethŰ, the Sebennyte, considers it His hidden one, and
that His power of hiding is made plain by the very articulation of
"Hecatśus of Abdera, however, says that the Egyptians use this word
to one another also when they call one to them, for that its sound has
got the power of 'calling to'.
"Wherefore when they call to the First God--who they think is the
same for every man--as unto the Unmanifest and Hidden, invoking Him to
make Him manifest and plain to them, they say 'Amoun!'"
AmmŰn or Amoun is usually transliterated directly from the
hieroglyphics as Amen. We thus learn that in Egypt Amen was a "word of
power," indeed the chief "word of power" in general theurgic use.
We cannot suppose that Hecataeus, in his History of Egypt,
intended us to understand that the Egyptians shouted it after one another
in the street. It was
rather used as a word of magic, for evoking the Ka of a person,
or as the chiefest of all invocations to the Invisible Deity.
The exact parallel is to be found today in the use of the "Word of
Glory" (the Pranava), Om or Aum, in India.
The sacred dancing was common to all great mystery-ceremonies. Here it
will be sufficient to quote from what Philo of Alexandria, in the first
quarter of our era, tells us, in his famous treatise On the
Contemplative Life, about the sacred dances of the Therapeuts or
"Servants of God." He writes:
"Then the president rising chants a hymn which has been made in God's
honour, either a new one which he has composed, or an old one of the
"For they have left behind them many metres and tunes in trimetric
epics, processional hymns, libation-odes, altar-chants,
stationary choruses, and dance-songs, all admirably measured off in
"And after him the others also, in bands, in proper order, take up
the chanting, while the rest listen in deep silence, except when they
have to join in the burden and refrains; for they all, both men and
women,join in. . . .
"After the banquet they keep the holy all-night festival. And this is
how it is kept:
"They all stand up in a body; and about the middle of the ceremony
they first of all separate into two bands, men in one and women in the
other. And a leader is chosen for each, the conductor whose reputation
is greatest and the one most suitable for the post.
"They then chant hymns made in God's honour, in many metres and
melodies; sometimes singing in chorus, sometimes one band beating time
to the answering chant of the other, now dancing to its music, now
inspiring it, at one time
in processional hymns, at another in standing songs, turning and
returning in the dance.
"Then when each band has feasted [that is, has sung and dance] apart
by itself, drinking of God-pleasing nectar, just as in the Bacchic rites
men drink the wine unmixed, they join together, and one chorus is formed
of the two bands. . .
"So the chorus of men and women Therapeuts . . . , by means of
melodies in parts and harmony--the high notes of the women answering to
the deep tones of the men--produces a harmonious and most musical
symphony. The ideas are of the most beautiful, the expressions of the
most beautiful, and the dancers reverent; while the goal of the ideas,
expressions, and dancers is piety.
"Thus drunken into morning's light with this fair drunkenness, with
no head-heaviness or drowsiness, but with eyes and body fresher even
than when they came to the banquet, they take their stand at dawn, when,
of the rising sun, they raise their hands to heaven, praying for
Sunlight and Truth, and keenness of Spiritual Vision."
And now we will turn to the text of our Hymn, which pertains to a still
higher mystery, first of all dealing with the introductory words of the
writer of the Acts.
The "lawless Jews" refers to those who are "under the law of the
lawless Serpent"; that is to say, those who are under the sway of
Generation as contrasted with those who are under the law of Regeneration,
of carnal birth as opposed to spiritual birth; or again, of the Lesser as
contrasted with the Greater Mysteries.
As the pre-Christian Greek redactor of the Naassene Document phrases it
(T.G.H., i. 162):
"For He [the Great Man, the Logos, the Serpent of Wisdom] is
Ocean--'birth-causing of gods and birth-causing of men'
--flowing and ebbing for ever, now up and now down."
And on this the early Jewish commentator remarks:
"When Ocean flows down, it is the birth-causing of men; and when He
flows up, . . . it is the birth-causing of gods."
And further on he adds:
"This is the Great Jordan, which flowing downwards and preventing the
Sons of Israel from going forth out of Egypt, or from the Intercourse
Below, was turned back by Jesus [LXX. for Joshua] and made to flow
This one and the same Serpent was thus either AgathodaimŰn (or Good
Spirit) or the KakodaimŰn (or Evil Spirit), according to the will of man.
The regenerated or perfect man, the man of
repentance, he who has turned Homewards, or has his "face" set Above,
whose will is being atoned with the Divine Will, turns the waters of Ocean
upwards, and thus gives birth to himself as a god.
The doxology of our Hymn is triadic--Father, Son, Mother.
Charis, Grace or Love, is Wisdom, or God's Good-Will, the Holy Spirit,
or Great breath; that is, the Power and Spouse of Deity.
The order of the triple praise-giving is then reversed: Mother, Son,
Father; for Glory is the Great Presence, the Father.
And finally there is a trinity in unity, Praise being given to the
Father as Light; the same as the oft-recurring invocation in the Coptic
Gnostic works: "Father of all Fatherhood, Boundless Light!"
The doxology being ended, we come to a striking series of double
clauses or antitheses. I at once submit that these were not originally
intended to be uttered
by one and the same person. On the contrary they are evidently
amoebśan; that is, answering as in a dialogue. Nor were they addressed to
the Disciples; there was some single person for whom the whole was
intended, and to whom much of it is addressed.
If, then, we have before us not a hymn, but the remains of a
mystery-ritual, there must have been two people in the circle. One of them
was the Master, the Initiator. Who was the other? Manifestly, the one to
Now the ultimate end of all Gnosis was the at-one-ment or union of the
little man with the Great Man, of the human soul with the Divine Soul.
In the great Wisdom-myth, the human soul was regarded as the "lost
sheep," the erring and suffering Sophia fallen into generation, from which
she was saved by the Christ, her true Lord and Spouse.
On the side of the Great Descent we have the most wonderful attempts
made by the Gnostics to pierce the veil of the
mysteries of cosmogony--to catch some glimpse of how the Cosmos came
into existence, and was fashioned by the creative power of the Logos, the
Supernal Christ. This was called the "enformation according to
substance"--the "substance" being the Sophia or Wisdom Herself as viewed
in Her self-isolation from the PlÍrŰma or Fullness of Divine Being, the
On the way of the Great Ascent or Return, the Gnosis attempted to raise
the veil of the mysteries of soteriology, or of the rescue of the
separated human soul, and its restoration to the Bosom of the Divine. This
was called the "enformation according to gnosis"--that is,
The duologue is therefore carried on by those who are acting out the
mystery of the Sophia and the Christ; through we should never forget that
they are in reality or essentially one and the same Person,the lower and
higher self in the Presence of the Great Self.
The twelve disciples are the representatives of the powers of the
Master, sent forth (apostles) into the outer worlds, corresponding with
the Great Twelve of the Presence,the Twelve Above; and they dance to the
dancing or cosmic motions of the Twelve, even as the candidate, or
neophyte, the Sophia below, dances to the cosmic motion of the Charis or
Grace or Sophia Above.
And if this rite be duly consummated, the Presence that enwraps the
doers of the mystery is Divine. The Presence is that of the Father
Himself, who has no human form, but is as it were a "Heart" or "Head," a
"Face," a Shekinah or Glory. How the seers of the Gnosis conceived this
marvel of the Godhead may perhaps be seized dimly in the following
passages from the "Untitled Apocalypse" of the Bruce Codex (F.F.F.,
"The Outline of His Face is beyond all possibility of knowing in the
Outer Worlds--those Worlds that ever seek His
Face, desiring to know it; for His Word has gone forth into them, and
they long to see Him.
"The Light of His Eyes penetrates the Spaces of the Outer PlÍrŰma;
and the Word that comes forth from His Mouth penetrates the Above and
"The Hairs of His Head is the number of the Hidden Worlds, and the
Outline of his Face is the type of the ∆ons [i.e., Perfect
Spheres and Eternities].
"The Hair of His Face are the number of the Outer Worlds, and the
Outspreading of His Hands is the manifestation of the Cross. . . .
"The Source of the Cross is the Man [Logos] whom no man can
"He is the Father; He is the Source from which the Silence [the
Mother of the ∆ons] wells."
And as to the consummation of at-one-ment and the state of him who
makes joyful surrender of himself unto the Powers, "and thus becoming
is in God," as PoemandrÍs teaches, some intuition may be gleaned from
the same document which tells of the Host of Powers, "having wreaths (or
crowns) on their heads"--that is ∆ons or Christs or Masters crowned their
Twelve Powers, and all the other orderings of spiritual energies (F.F.F.,
"Their Crowns send forth Rays. The Brilliancy of Their Bodies is as
the Life of the Space into which They are come.
"The Word (Logos) that come out of Their Mouth is Eternal Life; and
the Light that comes forth from Their Eyes is Rest for Them.
"The Movement of Their Hands is Their Flight to the Space out of
which They are come; and Their Gazing on Their own Faces is Gnosis of
"The Going to Themselves is a repeated Return; and the Stretching
forth of Their Hands establishes Them.
"The Hearing of Their Ears is the Perception in Their Heart; and the
Union of Their Limbs is the in-gathering of Israel.
"Their Holding to one another is Their Fortification in the Logos."
All this is doubtless "foolishness" to many but is Light and Life and
Wisdom for some few, who would strive towards becoming the Many in One,
and One in Many.
But to the somewhat lesser mysteries of our ritual. All the terms must,
I think, be interpreted as mystery-words; they contained for the Gnostics
a wealth of meaning, which differed for each according to his
understanding and experience. If, then, I venture on any suggestions of
meaning, it should be understood that they are but tentative and
ephemeral, and as it were only rough notes in pencil in the margin that
may be rubbed out and emended by every one according to his knowledge and
"I would be saved."
The human soul is "wandering in the
labyrinth of ills," as the Naassene Hymn has it (T.G.H., i.
191); is being swirled about by the "fierce flood" of Ignorance as the
Preacher, in one of the Trismegistic sermons, phrases it (T.G.H.,
ii. 120). The soul is being swirled about in the Ocean of Genesis, in the
Spheres of Fate.
She prays for safety, for that state of stability which is attained
when the worlds of swirl in the Magna Vorago, or Great Whirlpool, to use a
term of the Orphic tradition, are transcended, by means of at-one-ment
with the Great Stability, the Logos--"He who stands, has stood and will
stand," as the Simonian Great Announcement calls Him.
In its beginnings this safety expresses neither motion nor stability,
but a ceasing from agitation; the mind or anxiety is no longer within the
movement, the Procession of Fate.
The tempest-tossed self cries out to be drawn apart from the swirl;
while the other self that is not in the swirl would like to enter.
The self within, or subject to, the "downward" elements has to unite
with the self of the "upward" elements in order to be saved from the
swirling of the passions; while the "higher" self has to be drawn into the
"lower," so to say, and unite with it, in order to be "saved" from the
incapacity of self-expression.
"I would be loosed."
That is, loosed from the bonds of Fate and Genesis. In some of the
rites the candidate was bound with a rope. In Egypt he rope symbolized a
serpent, the Typhonic "loud-breathing serpent" of the passions, as the
"Hymn of the Soul" of Bardaisan calls it (F.F.F., p.477).
"I would be wounded."
Or "I would be pierced." This suggests the entrance of the ray of the
higher self into the heart whereby the "knot in the heart," as the
Upanishads phrase it, may be unloosed, or dissolved, or in order that the
lower self may receive
the divine radiance of the higher. This interpretation is borne out by
the alternative reading from a Latin translation, which may have
originated in a gloss by one who knew the mystery, for he writes: "I would
be dissolved"; that is, "consumed by love."
And so we continue with the mysteries of this truly "Sacred Marriage,"
or "Spiritual Union," as it was called.
"I would be begotten."
This is the Mystery of the Immaculate Conception, or Self-birth. "I
would be begotten" as a Christ, the New-Man, or True Man, who is in verity
the Alone-begotten--that is, Begotten-from-Himself-alone, or
"I would eat."
By "eating," food and eater become one. The Logos is called the "Bread
of Life"; that is, the Supersubstantial Bread, one of the Elements of the
Eucharist. The soul desires to "eat" the Life
in everything; this expresses how the soul must become everything
before it can enjoy cosmic consciousness, and be nourished by the Life in
So it is that men can become part of the Cosmos through right action.
But to reach this consummation we must no longer long to live and act our
little life, but rather to be, if one may so phrase it, in our turn
"eaten"; that is to say, to have our own self-will eaten out of us. And
then our fate or life or activity becomes part of the Great Records, and
the man becomes a Living Oracle or Drama, a Christ. All Life then becomes
a happening with meaning; but this can never be until the man surrenders
his self-will and becomes one with the Great Will.
This "eating" signifies a very intimate kind of union, in which the
life of a man becomes part of a Great Life.
"I would hear."
It is to be remarked that there is no "I would see." If we can
lay any stress on this, it is presumably because the candidate is
already "seeing"; he has already reached the "epopt" stage, and therefore
this "hearing" is beyond the probationary stage of "hearing" or of the
Hearing is much more cosmic or "greater" than seeing, as we learn later
on from our fragment, in the Vision of the Cross, where John "sees the
Lord Himself above the Cross, not having any shape, but only a voice."
In such hearing the hearer draws nigh unto the Root-sound, or Breath
(¬tman), which creates all that it is possible to see. To see there must
be form, even if the form is only an idea.
Again, hearing may be said to be the verb of action when power is being
conveyed to a person; while seeing is the verb of action of that person
after receiving the power.
"I would understand."
This recalls the idea of "standing,"
"stability." Plato attributes this understanding to the Sphere of
Sameness (the Eighth), in this, I believe, handing on an echo from Egypt.
It is by means of this stability of the true mind that consciousness is
enabled to link on the happenings in the whirling spheres, or whorls, of
Fate to the Great Things or Things-that-are, and so perceive greater
soul-records in phenomena. The last clause is evidently a gloss, but by a
knowing scribe. The Logos is the true Understanding or Mind
"I would be washed."
That is, I would be baptized, or immersed wholly in the Ocean of Living
Water, the Great Oneness. It may mean simply "I would be purified." But
the full rite of baptism was immersion and not sprinkling; as
Thrice-greatest Hermes says in the sermon "The Cup," or "The Monad" (T.G.H.,
"He filled a Mighty Cup (KratÍr) with
it (Mind), and sent it down, joining a Herald to it, to whom He gave
command to make this proclamation to the hearts of men:
"Baptize thyself with this Cup's baptism, what heart can do so, thou
who hast faith thou canst ascend to Him Who hath sent down the Cup, thou
who dost know for what thou didst come into being!'
"As many then as understand the Herald's tidings and dowsed
themselves in Mind, became partakers in the Gnosis; and when they had
'received the Mind' they were made 'perfect men'.
The Cup is perchance the Presence substantially.
"Grace leadeth the dance."
In the text this has the next sentence run on to it; but I am myself
inclined to think that it is a note or a rubric rather
than an utterance of the Initiator.
The ceremony changes. Hitherto there had been the circle-dance, the
"going round in a ring," which enclosed the mystery-drama, and the
chanting of the sacred word.
Contact is now mystically established with the Great Sphere, Charis or
Sophia, the Counterpart or Spouse or Syzygy of the Supernal Christ, or of
the Christ Above. She "leads the dance"; that is to say, the actors begin
to act according to the great cosmic movements.
"I would pipe."
In the Naassene Document (T.G.H., i. 183), we read:
"The Phrygians also say that that which is generated from Him is
SyriktÍs is the Piper, properly the player on the syrinx, or
seven-reeded Pan-pipe, whereby the music of the spheres is created
And on this the early Jewish commentator remarks:
"For that which is generated is Spirit in harmony."
That is to say, Spirit, or Sophia the Holy Breath, is harmony; and the
Harmony was the name of the Seven Spheres encircled by the Eighth.
Curiously enough, later on in our fragment the Logos is called "Wisdom in
The Greek word for "dance" in the sentence "dance ye all" is different
from that in the phrase "leadeth the dance." It reminds us of the
"orchestra" in the Greek theatre.
The Greek drama, I hold, arose from the Mysteries. The general view,
however, is that it "sprang from the choral dances round the altar of
Dionysus," and so the architectural form of the Greek theatre "was
developed form the circular dancing place," the orchÍstra.
The dance is to represent the dance of
the world-mystery, and therefore of the man-mystery--of joy and sorrow,
of rejoicing and beating the breast.
It is hardly necessary here to remind the reader of
the Gospel-saying taken by the first (Matth., xi.17) and third (Lk.,
vii. 27) Evangelist from a common source:
"We have piped unto you, and ye have not danced;
"We have played a dirge unto you, and ye have not lamented."
Is it possible that there was an inner tradition of a scripture in
which this Saying stood in the first person singular? I think I have made
out a presumption in my analysis of the Naassene Document (T.H.G.,
i. 195) that the Christian commentator, in his parallels with the Fourth
Gospel, legitimately opens up for us the question whether or no he was in
touch with "sources" of that "Johannine" document.
In any case, I would suggest that for the Gnostic there was an
under-meaning, and that it is here in our Hymn expressed for us though
still mystically hidden
The higher quaternion, or tetrad, as the Gnostic Marcus would have
phrased it, of joy is to blend with the lower tetrad of sorrow; and both
together are to form an octave, whereby the man is raised from his
littleness into the Greatness; that is to say, he can now respond to
Therefore what was apparently originally a rubric ("The one Eight"
etc.), has been put by an unknowing scribe into the mouth of the
Initiator, and an Amen added.
The Ogdoad or Eight (in music the full
Octave), "sounds with us"; that is, we are now beginning to dance to the
Music of the Spheres.
And this being so, the sense of the initiated soul may be said to
become cosmic, for it begins to vibrate with, or
answer back to, or become in sympathy with, the ordered motions of the
Greatness; and therefore the Higher Twelve, the Powers that transcend the
separated soul, and which crown or surround the Great Sphere, now lead the
Or, to speculate more daringly; the indications seem to denote a belief
that at this stage in the rite there was present the Presence of
Masterhood; and this would mean for the aspirant--as is so nobly set forth
in the Trismegistic "Secret Sermon on the Mount," which might very well be
called "The Initiation of Tat"--that he passes out of himself to greater
And so his "twelve disciples," as it were, begin to dance above him or
outside him; for the real disciples or apostles of a new-born Christ are
not the things he has been taught on earth as man, but powers raying forth
from the true Person into still greater regions.
Apostles who go forth into the world of men are but reflections of
who now go forth from the true Person and link him on to the Great
It is not easy to conjecture the meaning of the
phrase "all whose nature is to dance doth dance," for the text is so
faulty that we cannot be certain of a correct version. If, however, this
be the right rendering, then I would suggest that the "all" is the cosmic
order; and that now all is made ready, and spiritual communion has ben
established between the church, or circle below, and the Church Above, who
again is the Supernal Sophia.
"Who danceth not, knows not what is being
The soul must dance, or be active in a corresponding way, with the
Great Dance, in order to know, or attain true Gnosis. Knowledge of the
Great World can only be attained when the man has abandoned his self-will
and acts in harmony with the Great Happenings.
This reminds us of the Saying in the Fourth Gospel (vii. 17): "If a man
will to do His Will, he shall know of the Doctrine"; and again (ix. 31):
"If a man be a worshipper of God and do His Will, He will hear him." And
the Will of God is His Divine Spouse, the Sophia or Wisdom, by Whom and in
Whom He has made the worlds.
"I would flee."
It may be that here the new-born is in fear; the new motions of the
Great Passions are too great for him. Or, again, it may signify the
necessity of balance, or equilibrium; the soul feels itself swept away
into the infinitudes, and is held back by the greater power of the
Master--the that in him which alone is stable; these two are then the
centrifugal and centripetal powers.
"I would be adorned."
The original Greek term suggests the idea of being rightly "ordered" (kosmein).
It may also mean "clothed in fit garments"; that is, the soul prays
that his little cosmos, which has previously been awry or out of order,
may be made like unto the Great Order, and so he may be clad in "glories"
or "robes of glory" or "power" like unto the Great Glories of the Heavenly
"I would be at-oned."
We now approach the mystery of union, when the soul abandons with joy
its separateness, and frees itself from the limitations of its
"possession"--of that which is "mine" as apart from the rest.
And so we have the triple declaration as to
the loss of "dwelling," "place" and "temple" (the very "shrine" of the
soul), and the assurance of the gain of all"dwellings," "places" and
"temples." And in illustration of this sublime idea we may yet again quote
from the "Untitled Apocalypse" of the Bruce Codex (F.F.F., p. 554):
"'Holy, Holy, Holy is He, the [here come the seven vowels each three
"That is to say:
"'Thou art the Living One among the living.
"'Thou art the Holy One among the holy.
"'Thou art Being among beings.
"'Thou art Father among Fathers.
"'Thou art God among gods.
"'Thou art Lord among lords.
"'Thou art Space among spaces.'
"Thus too do they praise Him.
"'Thou art the House;
"'And Thou art the Dweller in the House.'
"And yet again do they praise the Son hidden in Him:
"'Thou art; Thou art the Alone-begotten--Light, Life and Grace.'"
"The Son of Man hath nowhere to lay His head"--for indeed He has all
"places" in His possession.
Then follow the comfortable words that the
Christ, the Logos, is the Lamp, the Mirror, the Door and the Way for the
human soul; the Divine Soul is all things for the beloved.
In the worlds of darkness and uncertainty Christ is the Lamp, whom we
must follow, for He leads us along the Way.
For those who can perceive the Christ-essence in all, this
Christ-essence is a Mirror reflecting the great truths of the higher
There is one means alone of passing through the Wall of Separation
between the Higher and the Lower, and that is Christ the Mediator. He is
the Door; even as Thrice-greatest Hermes calls the Mind the "Inner Door" (T.G.H.,
iii. 274). And Parmenides in his "Truthwards" refers to the same mystery
when he describes the Gates, twixt Day and Night, or Light and Darkness.
For him who truly knocks at this Door,
that is who turns all his attention and power in this direction, the
Great Wall or Limit will be no more, and he shall go in and out at will.
Again, Christ the Logos is the Way. He is our Path to God, both on the
Light-side of things and on the Substance-side; either as a Lamp, or that
for which the pure mind looks, or a Way, that on which the feet walk. In
either case the Christ is that which leads to God.
The ceremony again changes with the words: "Now
answer to My dancing."
All now may be believed to be taking place within the Master-Presence.
Union of substance has been attained, but not yet union of consciousness.
Before that final mystery can be consummated,the knowledge of the Passion
of Man, that is of the Great Passion or perpetual experience of the Great
Act, must be achieved.
The soul is to gaze upon the mystery as upon its own Passion. The
soul can gaze upon the mystery in peace; as yet, however, the soul of
the aspirant is not perfected in gnosis, but in substance only, so that it
may feel the Great Passion in itself, and yet as apart from itself.
Hereupon in the lower rite, the mystery-drama, the Passion of Man, must
have been shown. What it may have been is not easy to conjecture; it must,
however, have been something of a most distressing nature, for the
neophyte is moved or shaken completely--that is to say,unnerved. He had
not the strength of perfect faith in the Power of the Master; for,
presumably, he saw that very Master dismembered before his eyes, or
becoming many from one, or in some way done to death.
After the Passion-drama or Passion-vision comes the instruction; for in
such rites--such passions or experiences for the sake of knowing--there
the actual experience in feeling before there can be gnosis.
This knowledge is given by the Master Himself, the Logos in man:
Wherefore it needs must be the lover should first behold the Beloved
And then follow the comfortable words: "I am a
couch; rest thou upon Me." For the Suffering Christ is but the
translation into manifestation in time and space of the Triumphant Eternal
Christ, the ∆on. It is here that that mystery of Docetism, of what the
Ved‚nta calls M‚y‚, receives a philosophical meaning. This mystery is
suggested in many a logos; but here I will quote only from the
Trismegistic sermon called "The Inner Door" (T.G.H., iii. 275):
"And being so minded and so ordering his life, he shall behold the Son
of God becoming all things for holy souls, that he may draw her (the soul)
out the region of the Fate into the Incorporeal.
"For having power in all, He becometh all things, whatsoever He will;
and in obedience to the Father's nod, through the whole Body doth He
penetrate, and pouring forth His Light into the mind of every soul. He
starts it back into the Blessed Region, where it was before it had become
corporeal--following after Him, and led by Him into the Light."
"Who I am thou shalt know when I depart."
This and the two following sentences seem to suggest--that is, if we
may venture to believe that there was true vision of an inner mystery
accompanying the outer drama--some such idea as this.
The substantial nature of the Presence, the Body, so to speak, of
atmosphere, which may have been seen--with some suggestion of an idea of
human form as its "pillar" or "support," and at the same time of a sphere
holding it together--this, says the Master, is not my true Self. I am
not this Mirror of the World, I am not this Word or Living Symbol which
contains the whole world, and also stamps it with meaning and idea. What
the nature of the real Christ is thou shalt know when thou comest, or
"If thou hadst known how to suffer."
The sentences so beginning are perhaps the most pregnant in meaning in
the whole of this marvellous ritual. It seems in one sense (for there are
infinite meanings) to signify: If the substance of your body had really
known how to dance, and so been able to respond exactly to My Passion
(that is, the manifestation in activity of real life and consciousness),
then you would have had the power to have kept stable about the Mystic
Centre, and not have been dragged back into your body of suffering, or
in-harmony; you would not have been dragged back onto the
dramatic side of things and been swamped by the drama.
"That which thou knowest not, I Myself will
That which the soul unaided cannot know, the Master will teach. That is
to say, presumably: This Power or Presence is a link between your own
"body" or atmosphere and the realities of Great Things.
As soon as the sphere-"body" (the psychic envelope of normal man is
said to be ellipse, egg-shaped, imperfect) is capable of dancing, the
Power of the Master will stamp it with meaning. The little self cannot do
this. The Power is not connected with little things. It comes from the
greater worlds as a natural result of the perfect dancing of the
substances of all man's "bodies."
"I am thy God, not the Betrayer's."
Taken in connection with the introductory words before our Hymn, this will
suggest to most readers the thought of Judas. But the Gnostics moved in
a wider circle of ideas.
The Betrayer is rather the lawless Serpent, the KakodaimŰn, that which
hands the soul over to the bodies of death--a mystery that is not touched
upon in our ritual.
"I would be kept in time with holy souls."
This sentence appears to me to be misplaced. One of its meanings seems
to be that as the soul watches the Dance, it prays to be brought into
harmony with "Holy Souls"; that is to have its consciousness and form
brought into such perfect relationship as to become one. Then the little
soul would become a Great Soul or Master, a Perfect or Balanced Soul.
The concluding sentences are evidently drawn from two different
traditions of the original text; they are two separate
endings copied down one after the other. It is thus to be conjectured
that there were several variants of this ritual, and that it was,
therefore, widely known and used in Gnostic circles.
It must, however, have been at first kept very secret, for later on in
the text of our fragment we read the injunction of the Master to John:
"That Passion which I showed unto thee and unto the rest in the Dance, I
will that it be called a mystery."
Can it be that in the the original form, it was John, the Beloved
himself, who was the candidate?
It may have been so; but even if so, "John" would not be understood by
a Gnostic to be the name of one single historical character. There had
been, there were, and there would be many Johns.
From the Twelve Three; and from the Three One.
For just as we find that there were Three--Peter, James and John--who
were nearest the Lord in His Great Moments, so also do we find in the
Johannine tradition that of these Three, it was John who was nearest to
Him in His Great Acts.
Moreover, just as in the Trismegistic tradition we find that out of the
Three--Ammon, Asclepius and Tat--it is Tat, the most spiritual of the
disciples, who succeeds his "Father," Thrice-greatest Hermes, when He is
taken to the Gods; so also do we find in the Johannine tradition that it
is John who succeeds Jesus when He ascends to the Father of all "Fathers."
"Father" was the technical name of the Master,
or Initiator, and the Head of the community.
And so, in a codex of the Fourth Gospel, preserved in the archives of
the Templars of St. John of Jerusalem, in Paris--that is to say in all
probability in a document that belonged to those who came into contact
with the Johannine tradition in
the East--we find (Thilo, Code. Apoc. N.T., p. 880) the
following additions which are absent from the Textus Receptus.
To John, xvii. 26:
"Amen, I say unto you, I am not of this world; but John shall be your
Father, till he shall go with Me into Paradise. And He anointed them
with the Holy Spirit."
And to John, xix. 26-30:
"He saith to His Mother: Weep not; I go to My Father and to Eternal
Life. Behold Thy Son. He will keep My place.
"Then saith He to the Disciple: Behold thy Mother!
"Then bowing His Head He breathed forth His Spirit."
But if it be willed that that which "I showed unto thee . . . in the
be "called a mystery," it must equally be willed that it be kept a
I therefore offer my surmises on the altar of the Outer Court, though
hardly venturing to think they will be regarded as reasonable oblations to
the Great Presence by many of the Many who serve there.
I would, however, venture to hope that I have at least established a
strong presumption that the Hymn of Jesus is no hymn, but a very early
Christian mystery-ritual, and perhaps the oldest Christian ritual of any
kind preserved to us.
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